{"id":790,"date":"2025-05-06T13:47:35","date_gmt":"2025-05-06T13:47:35","guid":{"rendered":"http:\/\/localhost:10068\/archive\/"},"modified":"2025-11-05T15:09:37","modified_gmt":"2025-11-05T15:09:37","slug":"archive","status":"publish","type":"page","link":"https:\/\/neue.nl\/en\/archive\/","title":{"rendered":"Archive"},"content":{"rendered":"
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\n Projects <\/h1>\n
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The following is an overview of the New European Ensemble\u2019s past projects, commissioned works, repertoire, and performed pieces.<\/p>\n <\/div>\n <\/div>\n\n <\/section>\n\n\n

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Commissioned Works<\/h2>\n <\/div>\n
\n <\/div>\n
\n\t\t\t\n <\/div>\n
\n
\n \n
\n
\n Spirri 2 <\/div>\n
\n Seung-Won Oh <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Elf Citroenen In Een Bad Met Chloor <\/div>\n
\n Reza Namavar <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Film score <\/div>\n
\n Rodrigo Faina <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n I fell into the sky <\/div>\n
\n Svitlana Azarova <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Taleas Oblicuas <\/div>\n
\n Francisco Coll <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Rituals <\/div>\n
\n Salvador Breed + NEUE <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Grensvariaties <\/div>\n
\n Martijn Padding <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Reve Concerto (Organ Concerto) <\/div>\n
\n Martijn Padding <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n De Stijgende Zeespiegel en Days and Nature <\/div>\n
\n Kate moore <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Sound Attribution <\/div>\n
\n Ilya Ziblat Shay <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n New work <\/div>\n
\n Annija Zarina <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n New work <\/div>\n
\n Aaron Israel Levin <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n 26 Low Seconds <\/div>\n
\n Martijn padding <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n De Duivel met de drie Gouden Haren <\/div>\n
\n Karin Dolman <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Werk van Rembrandt (met Rembrandt), Whispers of the Wind, the Horseman\u2019s Gallop <\/div>\n
\n Rembrandt Frerichs <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Cloud messenger <\/div>\n
\n Boudewijn Ruigrok <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Sheltered Ritual <\/div>\n
\n Seung-Won Oh <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n New work <\/div>\n
\n Hesce Mourits <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Reflections of emptiness <\/div>\n
\n Maxim Kolomiiets <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n Shades <\/div>\n
\n Victoria Poleva <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n Yeon Do <\/div>\n
\n Seung-Won Oh <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n Ludus Mobilis V <\/div>\n
\n Kanstantin Yaskou <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n New Work <\/div>\n
\n Pasi Lyytik\u00e4inen <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n Japanese Folks Songs <\/div>\n
\n Toshio Hosokawa <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n De Stijgende Zeespiegel <\/div>\n
\n Kate Moore <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n Metamorfose <\/div>\n
\n V. Maistorovici <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n Canon a 2 (crab canon) BWV 1079 <\/div>\n
\n J.S. Bach \/ arr. Maistorovici <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n Canon per tonos (perpetual canon) BWV 1079 <\/div>\n
\n J.S. Bach \/ arr. Maistorovici <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n Little harmonic labyrinth <\/div>\n
\n J.D. Heinichen \/ arr. Maistorovici <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n Don quichot <\/div>\n
\n Vanni Moretto <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n Thorns <\/div>\n
\n Kate Moore <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n Chorale \/ In dir ist freude BWV 615 <\/div>\n
\n J.S. Bach \/ arr. Maistorovici <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n New work\/arrangement <\/div>\n
\n Martin Sued <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Le Tombeau de Couperin (arr. Emlyn Stam) <\/div>\n
\n Maurice Ravel <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n The Wind Moves Them <\/div>\n
\n J\u00fcrg Frey <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Ships vanishing in the horizon <\/div>\n
\n Mikel Urquiza <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n New work \/ arrangement <\/div>\n
\n Diego Schissi <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n New work \/ arrangement <\/div>\n
\n B\u00e1rbara Varassi <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Dedicace, New work\/arrangement <\/div>\n
\n Gustavo Beytelmann <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Concerto for two pianos and string orchestra <\/div>\n
\n Kate moore <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Route to Mute (premiere) <\/div>\n
\n Yu Oda <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Ritroverai le nubi (Nederlandse premi\u00e8re) <\/div>\n
\n Giuliano Bracci <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n 1984 <\/div>\n
\n Mihkel Kerem <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Cherry Blossom <\/div>\n
\n Yaskou <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Nocturne <\/div>\n
\n Oxana Omelchuk <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n new composition <\/div>\n
\n Florentijn Boddendijk <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Ships vanishing in the horizon <\/div>\n
\n Mikel Urquiza <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n YeonDo <\/div>\n
\n Seung-Won Oh <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n The construction of an imaginary acoustic space <\/div>\n
\n Gabriel Pajuk <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Grensvariaties <\/div>\n
\n Martijn Padding <\/div>\n
\n 2020 <\/div>\n<\/div> \n \n
\n
\n Dancing Heaven <\/div>\n
\n Lu Pei <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n 404 Error <\/div>\n
\n Johan Svensson <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Concordion <\/div>\n
\n Lina Nyberg <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Blackstar <\/div>\n
\n Christopher Moriarty <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Duo 1 <\/div>\n
\n Birgitta Flick <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Trio <\/div>\n
\n Adam Eriksson <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Extonation et Faux Rondeau <\/div>\n
\n Zacharias Ehnvall <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Romanian Rhapsody (world premier) <\/div>\n
\n Mark-Anthony Turnage <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Gaussian Blur <\/div>\n
\n Jesper Nordin <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Entropic Arrows <\/div>\n
\n Anna Thorvaldsdottir <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Coallotino <\/div>\n
\n Miklos Maros <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Karakurenai <\/div>\n
\n Andy Akiho <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n improvisation <\/div>\n
\n Gabriel Prokofiev <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Gangsa <\/div>\n
\n Wilson Leywantono <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Evolution Simulation #1 <\/div>\n
\n Wilf amis <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Seufzer <\/div>\n
\n Patrick Ellis <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Severen <\/div>\n
\n Bethan Morgan-Williams <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Ensuing Superficial Cycles <\/div>\n
\n Antonio La Spina <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Arguments against motion <\/div>\n
\n Justin Christensen <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Tutto Chiudi negli occhi <\/div>\n
\n Giuliano Bracci <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n New work <\/div>\n
\n Peter Adriaansz <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Nocturne <\/div>\n
\n Jonas Bisquert <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n 1984 Suite <\/div>\n
\n Mihkel Kerem <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Tutto chuidi negli ochi <\/div>\n
\n Giuliano Bracci <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n New work <\/div>\n
\n Gabriel Prokofiev <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Pipa Words <\/div>\n
\n QIN Wenchen <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Caprice for ensemble <\/div>\n
\n GUO Wenjing <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Oud Concerto <\/div>\n
\n Oene van Geel <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Musica per oboe ed archi (2018) <\/div>\n
\n Gabriele Cosmi <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Fantasy on Reliquias Porte\u00f1as <\/div>\n
\n Lam Lai <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n New work <\/div>\n
\n Giuliano Bracci <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Carmen <\/div>\n
\n Maxim Shalygin <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Concerto for Oud and Ensemble, Viola concerto, en Road Movie \u2013 double cello concerto <\/div>\n
\n Oene van Geel <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Chamber Concerto I, Chamber Concerto II en Chamber Concerto III <\/div>\n
\n Gonzalo Gimenez <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n he Wider The Wider the Vision the Narrower the Phrase <\/div>\n
\n Steven Kamperman <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Concerto for Oud and Ensemble <\/div>\n
\n Oene van Geel <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Arguments Against Motion (2017 version) <\/div>\n
\n Justin Christensen <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Off course (wereldpremi\u00e8re) <\/div>\n
\n Cees van Zeeland <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Expression Suite <\/div>\n
\n Mihkel Kerem <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Dzie\u0328cielina Pa\u0142a <\/div>\n
\n Mikolaj Laskowski <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Brass <\/div>\n
\n Maya Verlaak <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Snapshots and Slides <\/div>\n
\n Ronald Boersen <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n geen titel <\/div>\n
\n Binney\/van Geel <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n New works <\/div>\n
\n Oene van Geel <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Ludlow Nights <\/div>\n
\n onbekend <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Sax concerto <\/div>\n
\n onbekend <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n New works <\/div>\n
\n David Binney <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n The third occasion <\/div>\n
\n David Binney <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Burning <\/div>\n
\n Silvia Colasanti <\/div>\n
\n 2015 <\/div>\n<\/div> \n <\/div>\n <\/div>\n\n <\/div>\n\n<\/section>\n\n\n
\n
\n\n
\n

Repertoire<\/h2>\n <\/div>\n
\n <\/div>\n
\n\t\t\t\n <\/div>\n
\n
\n \n
\n
\n Spiccato Fidget, Persistent Memory <\/div>\n
\n Seung Won Oh <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Mirage <\/div>\n
\n Willem Breuker <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Slonimsky\u2019s Scherzo <\/div>\n
\n Oene van Geel <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Tussen Zwolle en Arnhem, Three Dances for Cello Solo <\/div>\n
\n Oene van geel <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Tarantella <\/div>\n
\n Kate Moore <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n La Arqueologica del N\u00e9on (2021) <\/div>\n
\n Oscar Bettison <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n There is no one not even the wind <\/div>\n
\n John Luther Adams <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Slow Landscape (with Thunder) <\/div>\n
\n Martijn Padding <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Last Words <\/div>\n
\n Martijn Padding <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Short History on Nothing <\/div>\n
\n Martijn Padding <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Kammermusik 7 <\/div>\n
\n Paul Hindemith <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Arabesque nr. 2 (partly) <\/div>\n
\n Claude Debussy <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Jeu d\u2019eaux <\/div>\n
\n Maurice Ravel <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Piano Concerto no. 2 \u2013 mvt. II <\/div>\n
\n Dmitri Shostakovich <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n In C <\/div>\n
\n Terry Riley <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Double sextet <\/div>\n
\n Steve Reich <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Voices <\/div>\n
\n Hans Werner Henze <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Asko concerto <\/div>\n
\n Elliott Carter <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Piedras <\/div>\n
\n Francisco Coll <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Liquid Symmetries <\/div>\n
\n Francisco Coll <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n de voz aceitunada <\/div>\n
\n Francisco Coll <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Three pieces after Turia <\/div>\n
\n Francisco Coll <\/div>\n
\n 2024 <\/div>\n<\/div> \n \n
\n
\n Horn Trio <\/div>\n
\n Lera Auerbach <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n Seraphim Canticles <\/div>\n
\n Lera Auerbach <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n Sogno di Stabat Mater <\/div>\n
\n Lera Auerbach <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n Dreammusic <\/div>\n
\n Lera Auerbach <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n Konzert f\u00fcr 9 Instrumente op.24 <\/div>\n
\n Anton Webern <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n Spiegel im Spiegel <\/div>\n
\n A. P\u00e4rt <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n There is no one not even the wind <\/div>\n
\n John Luther Adams <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n Drawing <\/div>\n
\n Toshio Hosokawa <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n Quatuor pour la fin du temps <\/div>\n
\n Olivier Messiaen <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n cello sonata <\/div>\n
\n Evgeny Kissin <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n Nocturne <\/div>\n
\n Oxana Omelchuk <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n Nanook of the North (score 1997, revision 2014) <\/div>\n
\n Timothy Brock <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n The Construction of an Imaginary Acoustic Space <\/div>\n
\n Gabriel Paiuk <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n Peter and the Wolf <\/div>\n
\n Sergei Prokofiev <\/div>\n
\n 2023 <\/div>\n<\/div> \n \n
\n
\n Antiphonie <\/div>\n
\n Ton de Leeuw <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Francis Poulenc <\/div>\n
\n \u2013 L\u2019Histoire de Babar <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Oliver Maple\u2019s Music Experiments \u2013 Set No. 1 <\/div>\n
\n Julian Maple-Oliveira <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Garden of Transparency <\/div>\n
\n J\u00fcrg Frey <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Vanisching point <\/div>\n
\n Dai Fujikura <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Cello Concerto <\/div>\n
\n Dai Fujikura <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Ice <\/div>\n
\n Dai Fujikura <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Gliding Wings <\/div>\n
\n Dai Fujikura <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Aquarius <\/div>\n
\n Dai Fujikura <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Perpetual Spring <\/div>\n
\n Dai Fujikura <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Im Fr\u00fchlingsgarten <\/div>\n
\n Toshio Hosokawa <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Muzzle <\/div>\n
\n Baldwin Giang <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Metamorphoses nocturnes <\/div>\n
\n Gy\u00f6rgy Ligeti <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Liederen eines fahrenden gesellen <\/div>\n
\n Gustav Mahler <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Clarinet Quartet\nJeff Hamburg: Songs along the way en A Prayer for Colomba <\/div>\n
\n Krzyzstof Penderecki <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n String Trio Op. 3 <\/div>\n
\n L. v. Beethoven <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Goldberg Variations <\/div>\n
\n J.S. Bach <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Fratres, Tabula Rasa, In Spe, en Pari Intervallo <\/div>\n
\n Arvo P\u00e4rt <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Piano Trio <\/div>\n
\n Riho Maimets <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Sounds Behind the Times <\/div>\n
\n P\u00e4rt Uusberg <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Concerto BWV1065 for four pianos and string orchestra <\/div>\n
\n Bach <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Adagio for Strings <\/div>\n
\n Penderecki <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Introduction and rondo for 2 pianos <\/div>\n
\n Saint-Sa\u00ebns\/Debussy <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Ravel <\/div>\n
\n Bolero for 4 pianos <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Daphnis et Chloe (complete) <\/div>\n
\n Maurice Ravel <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n The Echo of Being (symphonic movements) <\/div>\n
\n Gustav Mahler <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Introduction et Allegro <\/div>\n
\n Sonatine <\/div>\n
\n 2022 <\/div>\n<\/div> \n \n
\n
\n Jupiter Piano Trio <\/div>\n
\n Podgaiskaya <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Sonata <\/div>\n
\n Voronov <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Stabat Mater <\/div>\n
\n Arvo P\u00e4rt <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Summa <\/div>\n
\n Arvo P\u00e4rt <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Stabat Mater <\/div>\n
\n Giovanni Battista Pergolesi <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Strange News <\/div>\n
\n Rolf Wallin & Josse de Paauw <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Psycho <\/div>\n
\n Alfred Hitchcock <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Bolero <\/div>\n
\n Maurice Ravel <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Pavane <\/div>\n
\n Maurice Ravel <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Montagues and Capulets <\/div>\n
\n Sergei Prokofiev <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Romanian Dances <\/div>\n
\n B\u00e9la Bart\u00f3k <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Also Sprach Zarathustra (opening) <\/div>\n
\n Richard Strauss <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Vocalise <\/div>\n
\n Sergei Rachmaninov <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Libertango <\/div>\n
\n Astor Piazzolla <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Adagio <\/div>\n
\n Samuel Barber <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Adagio from Spartacus <\/div>\n
\n Aram Khachaturian <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Flaxen Hair <\/div>\n
\n Claude Debussy <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Gymnopedie <\/div>\n
\n Erik Satie <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Star Wars <\/div>\n
\n Williams <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Jaws <\/div>\n
\n Raiders March <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Schindler\u2019s List <\/div>\n
\n Harry Potter <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n The Godfather <\/div>\n
\n Nino Rota <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Henry Mancini: <\/div>\n
\n Henry Mancini <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n James Bond <\/div>\n
\n Monty Norman & John Barry <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n The Good, the Bad and the Ugly <\/div>\n
\n Ennio Morricone <\/div>\n
\n 2021 <\/div>\n<\/div> \n \n
\n
\n Phantasy Quartet Op. 2 <\/div>\n
\n Benjamin Britten <\/div>\n
\n 2020 <\/div>\n<\/div> \n \n
\n
\n Clarinet Quartet <\/div>\n
\n Kryzstof Penderecki <\/div>\n
\n 2020 <\/div>\n<\/div> \n \n
\n
\n Quintet in G minor Op. 39 <\/div>\n
\n Sergei Prokofiev <\/div>\n
\n 2020 <\/div>\n<\/div> \n \n
\n
\n A Prayer \u2013 Colomba <\/div>\n
\n Jeff Hamburg <\/div>\n
\n 2020 <\/div>\n<\/div> \n \n
\n
\n Songs along the way <\/div>\n
\n Jeff Hamburg <\/div>\n
\n 2020 <\/div>\n<\/div> \n \n
\n
\n Liederen eines fahrenden gesellen <\/div>\n
\n Gustav Mahler <\/div>\n
\n 2020 <\/div>\n<\/div> \n \n
\n
\n Octett in F major, D803 <\/div>\n
\n Franz Schubert <\/div>\n
\n 2020 <\/div>\n<\/div> \n \n
\n
\n Oktett <\/div>\n
\n Jorg Widmann <\/div>\n
\n 2020 <\/div>\n<\/div> \n \n
\n
\n The Fall of the House of Usher <\/div>\n
\n Philip Glass <\/div>\n
\n 2020 <\/div>\n<\/div> \n \n
\n
\n Bent #8 <\/div>\n
\n Philip Glass <\/div>\n
\n 2020 <\/div>\n<\/div> \n \n
\n
\n Tissue #1 <\/div>\n
\n Philip Glass <\/div>\n
\n 2020 <\/div>\n<\/div> \n \n
\n
\n Company Bed Aria <\/div>\n
\n Philip Glass <\/div>\n
\n 2020 <\/div>\n<\/div> \n \n
\n
\n In the Summer House: Vivian\u2019s Death <\/div>\n
\n Philip Glass <\/div>\n
\n 2020 <\/div>\n<\/div> \n \n
\n
\n Partita VI: Evening Song (hier staat ook \u2018FIND ALTERNATIVE to be transcribed?? not published\u2019) <\/div>\n
\n Philip Glass <\/div>\n
\n 2020 <\/div>\n<\/div> \n \n
\n
\n Partita no. 1 \u2013 Movement II <\/div>\n
\n Philip Glass <\/div>\n
\n 2020 <\/div>\n<\/div> \n \n
\n
\n Verschillende arrangementen (door Daniel Hamburger) <\/div>\n
\n Philip Glass <\/div>\n
\n 2020 <\/div>\n<\/div> \n \n
\n
\n Pierrot Lunaire Op. 21 <\/div>\n
\n Arnold Schoenberg <\/div>\n
\n 2020 <\/div>\n<\/div> \n \n
\n
\n Chansons Mad\u00e9casses <\/div>\n
\n Maurice Ravel <\/div>\n
\n 2020 <\/div>\n<\/div> \n \n
\n
\n Notes on Light <\/div>\n
\n Kaija Saariaho <\/div>\n
\n 2020 <\/div>\n<\/div> \n \n
\n
\n Graal Theatre <\/div>\n
\n Kaija Saariaho <\/div>\n
\n 2020 <\/div>\n<\/div> \n \n
\n
\n Solar <\/div>\n
\n Kaija Saariaho <\/div>\n
\n 2020 <\/div>\n<\/div> \n \n
\n
\n Sequenza I <\/div>\n
\n Luciano Berio <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Sequenza II <\/div>\n
\n Luciano Berio <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Sequenza III <\/div>\n
\n Luciano Berio <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Sequenza IV <\/div>\n
\n Luciano Berio <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Sequenza V <\/div>\n
\n Luciano Berio <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Sequenza VI <\/div>\n
\n Luciano Berio <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Sequenza VII <\/div>\n
\n Luciano Berio <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Sequenza VIII <\/div>\n
\n Luciano Berio <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Sequenza IX <\/div>\n
\n Luciano Berio <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Sequenza X <\/div>\n
\n Luciano Berio <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Sequenza XI <\/div>\n
\n Luciano Berio <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Sequenza XII <\/div>\n
\n Luciano Berio <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Sequenza XIII <\/div>\n
\n Luciano Berio <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Sequenza XIV <\/div>\n
\n Luciano Berio <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Datura <\/div>\n
\n Ye Xiaogang <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Paraphrase II <\/div>\n
\n Sebastian Hilli <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Dance Capriccio <\/div>\n
\n Bright Sheng <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Image from Mountain and River of Zhuang <\/div>\n
\n Dai Lixi <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Dancing heaven <\/div>\n
\n Lu Pei <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Dance on the Cliff <\/div>\n
\n Qiupang Yangyang <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Reflections on the theme B-A-C-H <\/div>\n
\n Sofia Gubaidulina <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Concertino <\/div>\n
\n Bright Sheng <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Syriac Fantasy <\/div>\n
\n Wassim Ibrahim <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n a la sama\u2019i <\/div>\n
\n Kinan abu Afach <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Primo Taccuino dell\u2019ombra e della luce <\/div>\n
\n Carlo Boccadoro <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Silk and Metal <\/div>\n
\n Adrian Pop <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Lux ex Tenebris <\/div>\n
\n Jose Sanchez Verdu <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Canticles of the Sky <\/div>\n
\n John Luther Adams <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n An invention on solitude <\/div>\n
\n Mark Anthony Turnage <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Clarinet Quintet <\/div>\n
\n Tristan Keuris <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Vortex Temporum <\/div>\n
\n Gerard Grisey <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Rhapsodic Quintet op. 31 <\/div>\n
\n Herbert Howells <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Clarinet quintet <\/div>\n
\n Jean Francaix <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Clarinet quintet in b op. 115 <\/div>\n
\n Johannes Brahms <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Meta Arca f\u00fcr 14 Solostreicher <\/div>\n
\n Heinz Holliger <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Ma\u2019mounia <\/div>\n
\n Heinz Holliger <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Mosaic <\/div>\n
\n Elliot Carter <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Chamber concerto <\/div>\n
\n Gy\u00f6rgy Ligeti <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Double Concerto for Oboe and Harp <\/div>\n
\n Witold Lutos\u0142awski <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Six Bagatelles <\/div>\n
\n Gy\u00f6rgy Ligeti <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Wind quintet <\/div>\n
\n Hendrik Andriessen <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Quintet for winds and piano KV452 <\/div>\n
\n W.A. Mozart <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Wind quintet <\/div>\n
\n Carl Nielsen <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Serenade op.24 <\/div>\n
\n Arnold Sch\u00f6nberg <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Alternatim (No. 65) \u2013 for ensemble & sinewaves <\/div>\n
\n Peter Adriaansz <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Double Sextet <\/div>\n
\n Steve Reich <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Sonate voor fluit solo <\/div>\n
\n J.S. Bach <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Landelijke miniaturen <\/div>\n
\n B. Van Sigtenhorst-Meyer <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Dream <\/div>\n
\n John Cage <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Mexican Jarocho music <\/div>\n
\n Trad. Mexican <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Pierrot Lunaire <\/div>\n
\n Arnold Sch\u00f6nberg <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Nebensonnen <\/div>\n
\n Lisa Streich <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n A walk on green streets <\/div>\n
\n Britta Bystr\u00f6m <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Lufftrumma II <\/div>\n
\n Marie Samuelsson <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n In the Midst of Trespassing <\/div>\n
\n Jesper Nordin <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n A swarm came in from the dark <\/div>\n
\n Jenny Hetne <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Arkaiskt Leende <\/div>\n
\n Anton Alfv\u00e8n <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Sotto Voce <\/div>\n
\n Sofia Gubaidulina <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Repentence <\/div>\n
\n Sofia Gubaidulina <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n R\u00f3 <\/div>\n
\n Anna Thorvaldsdottir <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Spectra <\/div>\n
\n Anna Thorvaldsdottir <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Fields <\/div>\n
\n Anna Thorvaldsdottir <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n In the Light of Air <\/div>\n
\n Anna Thorvaldsdottir <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Sonata uit L\u2019amour a mort (1984) <\/div>\n
\n Hans Werner Henze <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Processionals <\/div>\n
\n Oliver Knussen <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Twice Through the Heart (1997) <\/div>\n
\n Mark-Anthony Turnage <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Clarinet sonata <\/div>\n
\n Houtaf Khoury <\/div>\n
\n 2019 <\/div>\n<\/div> \n \n
\n
\n Garrique <\/div>\n
\n Tristan Murail <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Terrestre <\/div>\n
\n Kaija Saariaho <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Les Lueurs se sont multipli\u00e9es <\/div>\n
\n Mikel Urquiza <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n And then I knew it was wind <\/div>\n
\n Toru Takemitsu <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Reflections on the them B-A-C-H <\/div>\n
\n Sofia Gubaidulina <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Paraphrase II <\/div>\n
\n Sebastian Hilli <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Sotto Voce <\/div>\n
\n Sofia Gubaidulina <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Repentance <\/div>\n
\n Sofia Gubaidulina <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Bhairav <\/div>\n
\n Hariprasad Chaurasia <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Bihag <\/div>\n
\n Arvind Parikh <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Bhimpalasi <\/div>\n
\n Niladri Kumar <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Autumn 60 <\/div>\n
\n Cornelius Cardew <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Lament <\/div>\n
\n Howard Skempton <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Oboe Quartet K. 370 <\/div>\n
\n W.A. Mozart <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Clarinet Quartet <\/div>\n
\n Krysztof Penderecki <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Quintet Op. 39 <\/div>\n
\n Sergey Prokofiev <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Zingiber <\/div>\n
\n Carlo Boccadoro <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Serenatas <\/div>\n
\n Kaija Saariaho <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Je me sens un deuxieme coeur <\/div>\n
\n Kaija Saariaho <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Cendres <\/div>\n
\n Kaija Saariaho <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Figura <\/div>\n
\n Kaija Saariaho <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Datura <\/div>\n
\n YE Xiaogang <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Ripples in Spacetime II <\/div>\n
\n JIA Guoping <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Cui Zho <\/div>\n
\n TANG Jiangping <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Inspiration for Joy <\/div>\n
\n HAO Weiya <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Melodies of a flute <\/div>\n
\n Bright Sheng <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Angel Fire <\/div>\n
\n Bright Sheng <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Concertino <\/div>\n
\n Bright Sheng <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Dance Capriccio <\/div>\n
\n Bright Sheng <\/div>\n
\n 2018 <\/div>\n<\/div> \n \n
\n
\n Sonata <\/div>\n
\n Claude Debussy <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Six Epigraphes antiques <\/div>\n
\n Claude Debussy <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Deux Arabesques <\/div>\n
\n Claude Debussy <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Shared memory <\/div>\n
\n Louis Andriessen <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Fantasiestukken <\/div>\n
\n Johan Wagenaar <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Kwintet voor fluit, hobo, klarinet, hoorn en fagot <\/div>\n
\n Hendrik Andriessen <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Divertimento <\/div>\n
\n Tristan Keuris <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Pastorale voor hobo en piano <\/div>\n
\n Alexander Voormolen <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Suite voor viool en piano <\/div>\n
\n Agnes Jama <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Blue Monk en Round Midnight <\/div>\n
\n Thelonius Monk <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Proeven van Stijlkunst III <\/div>\n
\n Jakob van Domselaer <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Three Pieces for Clarinet III <\/div>\n
\n Igor Stravinsky <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Choses vues a droite et a gauche III Fantasie Musculaire <\/div>\n
\n Erik Satie <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Aleppo Songs II Antiochian Hymn, <\/div>\n
\n Kareem Roustom <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Aleppo Songs III Oh People, <\/div>\n
\n Kareem Roustom <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Leave Me To My Sorrows <\/div>\n
\n Kareem Roustom <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Aleppo Songs V Enough! I Intended to Leave You <\/div>\n
\n Kareem Roustom <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n he fence, the rooftop and the distant sea (complete) en Suite for Improviser and Orchestra: III. Wedding <\/div>\n
\n Kinan Azmeh <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Hidwa en Those Forgotten <\/div>\n
\n Dima Orsho <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Improvisation duo <\/div>\n
\n Dima & Kinan <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Suite <\/div>\n
\n Shafi Badreddin <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Cloud Trio (2009) <\/div>\n
\n Kaija Saariaho <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n Vortex Temporum (1996) <\/div>\n
\n G\u00e9rard Grisey <\/div>\n
\n 2017 <\/div>\n<\/div> \n \n
\n
\n The Art of Levitation, Slow Landscape <\/div>\n
\n Martijn Padding <\/div>\n
\n 2016 <\/div>\n<\/div> \n \n
\n
\n Klepsydra, Days and Nature <\/div>\n
\n Kate Moore <\/div>\n
\n 2016 <\/div>\n<\/div> \n \n
\n
\n Mask <\/div>\n
\n Michel van der Aa <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n To Muddy Death Ophelia <\/div>\n
\n Silvia Colasanti <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Here (in circles) <\/div>\n
\n Michel van der Aa <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Epices <\/div>\n
\n Svitlana Azarova <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Lullaby <\/div>\n
\n Gershwin <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Prayer <\/div>\n
\n Bloch <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Hundred Greatest Dance Hits <\/div>\n
\n Kernis <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Quintet <\/div>\n
\n Tedesco <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Asymptotic Flux <\/div>\n
\n Jason Thrope Buchanen <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Quando l\u2019anima <\/div>\n
\n Stylianos Dimou <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Zingiber <\/div>\n
\n Carlo Boccadoro <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Cing Pieges Brefs <\/div>\n
\n Mikel Urquiza <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n An den Wassern zu Babel <\/div>\n
\n Arvo P\u00e4rt <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Magnificat <\/div>\n
\n Arvo P\u00e4rt <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Tabula Rasa <\/div>\n
\n Arvo P\u00e4rt <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Orient en Occident <\/div>\n
\n Arvo P\u00e4rt <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Te Deum <\/div>\n
\n Arvo P\u00e4rt <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Two Sonatinas op.1 <\/div>\n
\n Arvo P\u00e4rt <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n F\u00fcr Alina <\/div>\n
\n Arvo P\u00e4rt <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Scala Cromatica <\/div>\n
\n Arvo P\u00e4rt <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Spiegel im Spiegel <\/div>\n
\n Arvo P\u00e4rt <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Passacaglia <\/div>\n
\n Arvo P\u00e4rt <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Es sang vor Langem Jahren <\/div>\n
\n Arvo P\u00e4rt <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Adagio for piano trio <\/div>\n
\n W.A. Mozart\/Arvo P\u00e4rt <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Stabat Mater <\/div>\n
\n Arvo P\u00e4rt <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n De Profundis <\/div>\n
\n Arvo P\u00e4rt <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Fratres <\/div>\n
\n Arvo P\u00e4rt <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Salve Regina <\/div>\n
\n Arvo P\u00e4rt <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n The Deer\u2019s Cry <\/div>\n
\n Arvo P\u00e4rt <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Da Pacem Domine <\/div>\n
\n Arvo P\u00e4rt <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Cantus in Memorium Benjamin Britten <\/div>\n
\n Arvo P\u00e4rt <\/div>\n
\n 2015 <\/div>\n<\/div> \n \n
\n
\n Adam\u2019s Lament <\/div>\n
\n Arvo P\u00e4rt <\/div>\n
\n 2015 <\/div>\n<\/div> \n <\/div>\n <\/div>\n\n <\/div>\n\n<\/section>\n\n\n\n
\n
\n\n
\n\n

Reich: Double Sextet | New European Ensemble<\/h2>\n \n
\n

Buy the MP3 album on the Official Halidon Music Store<\/a><\/p>\n

Stream it on Spotify<\/a><\/p>\n

Apple Music & iTunes<\/a><\/p>\n

 <\/p>\n

Steve Reich Double Sextet New European Ensemble <\/strong><\/p>\n

piano \u2013 Malgorzata Walentynowicz<\/p>\n

percussion\u00a0Jose Garcia Rodriguez<\/p>\n

flute \u2013 Felicia van den End<\/p>\n

clarinet \u2013 James Meldrum<\/p>\n

violin \u2013 Rada Ovcharova<\/p>\n

cello \u2013 Willem Stam<\/p>\n <\/div>\n \n \n\n <\/div>\n\n \n <\/div>\n\n \n<\/section>\n\n\n

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